Is It Time? is a site responsive installation in conjunction with the 2016 COPE NYC Artist in Residence program at the Old Pfizer building in Brooklyn, culminating in the exhibition, Reduce, Reuse, Recycle, Reimagine - The 4 R's.
28 x 26 feet
One thing deeply important to me is the idea of place. A safe space for digging in, finding the hidden in the revealed through adaption, integration, and conversation. Creating a personal archeological site by excavation through process and time.
Recycling, imprinting, mark making, gestural residue. I use canvas as site, as the landscape, the container of place. Dye is a primary material for transforming that landscape along with marks as records of my body's activity.
I am interested in how we carry the weight of our life experiences with us and in communicating that as evidence. I am also interested in how those experiences accumulate over time and are manifested physically; how our perceptions are layered and shift and expand and blend together to bring us to where we are today; of how we are infinitely adapting ourselves to wherever we are, merging together, making any place we find ourselves our home.
These works, along with documentation of the process, are created in my studio, adapting and shifting to the light and architecture. Size is variable and approximate, from 3 x 6 to 8 x 11 feet, bundles from 12 x 14 x 10 to 18 x 18 x 12 inches. Materials I use for mark making are found, gifted, and recovered construction materials, like scaffolding wire, bricks, wood panels, rusty metal plates, burlap, plastic, and rope.
COPE NYC 2017
Acumen Capital Partner LLC Building (The Pfizer Building)
630 Flushing Ave. 3rd Floor, Williamsburg, Brooklyn
October - December 2017
A Collaborative Shadow Play Installation and Performance:
In the spirit of creative reuse, this installation of shadow play, spoken word, and music engaged participants in the construction and creation of a sea of fish using a variety of donated and collected materials. Culminating in a series of interactive performances and workshops, Fish Bones tells a story inspired by the Taino myth of how the sea began, speaking to how communities come together and support each other in the face of overwhelming circumstances.
Fellow A.I.R. collaborators: Aubrey Roemer and Miguel Hernandez
90 Miles of Blue is a two part installation included in the group exhibition, "Blue", at Lowe Mill in Huntsville, Alabama. It was on view from September 1st through October 30th, 2017.
The exhibition was conceived of and curated by Karen Graffeo. The underlying concept was based on the idea of the blue of distance as put forth by Rebecca Solnit in A Field Guid to Getting Lost.
Site responsive installation at Splitty's which was part of a broader group of site specfice exhibitions for Drawings Along Myrtle in 2014.
Time, Light, Color, Space, Texture
A photographic documentation from my daily walks
The photos included in this gallery are taken in my studio, Morgan 5. They constitute records of light at a variety of times, interacting with the works installed, as well as the outside landscape.
2015, 7 x 8 x 8 feet, acrylic gels, bamboo, bricks, ropes, sand, water, sky
Site responsive collaboration with Rich Vivenzio for Haverstraw RiverArts Festival
7 Hours in 26 Seconds is a site responsive installation that was part of the group exhibition, Bigger Bolder Better.
The work is approximately 18 x 20 x 5 feet. Each colored gel shape was hand cut in response to the interior and exterior environment, then attached to the windows and activated by the sunlight as the earth rotates.
The show was curated by Etty Yaniv, Jaynie Crimmins, and Christina Massey. It was on view in June of 2017 at 470 Vanderbilt, a chashama Space to Present site.
I walked a block
More likely several miles
To find you.
1,012 found objects, map pins
13 x 7 x 1.75 feet
Site responsive installation for Popular Culture is Where the Pedagogy Is at The Hole, New York, May - June 2016
Time Light Texture
Vefa, 2015, 13 x 6 feet, hand cut and woven clear lay gels, wire, feather, tape
Site responsive installation for Light Industrial Ecosystem at Garner Arts Center
Site specific installation in Charlotte, VT
Illegal Fashion Runway, 2017, February 14, site specific lighting for fashion show at Whitebox.
Curated by Maria de Los Angeles and Juan Puentes